PROJECTS

  • Here but not here

    2024 - ongoing

    a series of works exploring criminal justice and the punishment industry

  • Simple as ABC

    2015 - ongoing

    a series of performances and installations examining the European Union’s border regime

  • Domo de Eūropa Historio en Ekzilo

    2013 - 2018

    the first international exhibition on life in the former European Union

  • Steigeisen

    2009 - 2015

    performances created with the documentary theatre company Steigeisen

  • Crossings

    ongoing

    collaborations with other artists

CALENDAR 25-26

  • Borders, (im)mobilities and databases

    23.10.25

    DINOBORD / IT UNIVERSITY (Copenhagen)

  • Barzakh

    10 - 16.12.25

    OPERA BALLET VLAANDEREN (Antwerp)

THOMAS BELLINCK

is a Brussels-based artist. He creates performances and installations based on audio recordings, with a strong focus on memory politics, state-sponsored violence and practices of detention.

In 2009, after having studied linguistics and literature at the University of Leuven, Thomas graduated as a theatre director from the Brussels Royal Institute for Theatre, Cinema and Sound. Since then, he has been a founding member of documentary theatre company Steigeisen, artistic production platform ROBIN and The School of Speculative Documentary.

In 2013, Thomas builtDomo de Eūropa Historio en Ekzilo’, a futuristic-historical museum about life in the former European Union. The immersive installation was selected for the International Film Festival Rotterdam, Wiener Festwochen, The Flemish Theatre Festival, Fast Forward Festival in Athens, Wiesbaden Biennale and Festival de Marseille.

Since 2015, Thomas has been working on ‘Simple as ABC’, a growing series of performances and installations zooming in on the European Union’s border policies. The series includes a.o. an interview musical on border surveillance technology and an ever-evolving human-hunting museum. In 2024, together with people detained at several Belgian prisons and composer Osama Abdulrasol, Thomas created the operaBarzakh’.

Thomas is also a doctoral researcher in the arts at Ghent University and KASK / School of Arts of the University College Ghent. As a lecturer, he has given classes and workshops at a.o. KASK in Ghent, La Cambre in Brussels, NYU Abu Dhabi and DAMU in Prague.

MATERIALS

  • Zwijgen is geen optie

    conversation with Naima Charkaoui

    2025

  • FATIK

    opinion piece

    2025

  • De Nieuwe Toneelbibliotheek

    libretto, co-authored with people detained at several Belgian prisons

    2025

  • De Nieuwe Toneelbibliotheek

    playscript, co-authored with Reza Adib

    2025

  • Trajectoria

    research article, co-authored with Rosine Mbakam and An van. Dienderen

    2021

  • DiEM25

    opinion piece

    2020

  • Critical Arts | FOMU

    research article, co-authored with An van. Dienderen

    2019-2020

  • Critical Arts

    manifesto, co-authored with Michiel Decleene, Max Pinckers & An van. Dienderen

    2019

  • NAi

    protest speech

    2009

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